Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
一帮数学最不好的人扮演数学家，拍给另一帮数学也不好的人看。
最后麒麟选领袖那段莫名想到恐怖宠物店里面麒麟那一话。你们魔法师真的好墙头草哦，前一秒还是gg，下一秒就是桑托斯。纽特拿出麒麟说这个是真的时候，gg尽然没有一点反驳
就这？就这？就这？剧情有逻辑吗 情节有高光吗 人物有魅力吗。。正反两派都很降智。。克雷登斯也被削了。前面铺垫的默默然什么的全没用上 又加了一些无用卧底这种废笔。。魔法效果乱加 也不念魔咒了 打戏很滑稽。小雀斑开头火车上那一段扭捏演技是什么意思。。中年男男戏份也完全嗑不下。。。太敷衍了气死我了
I'm ugly, you are ugly, we all ugly, ugly is the new beauty!
不需要麒麟，需要加特林，把导演编剧制片都突突掉得了。
我丑，你也丑，大家都该这么丑，丑是美的新潮流。好可爱的暗号。
看到了好多澳洲的景色！澳式口音确实是有点过分了虽然hhh还有桉树，有土著，一切的一切，都很aussie
就想看纽特和神奇动物的故事，奈何编导让邓布利多和格林德沃成了双男主。怀念德普的邪魅版格林德沃，虽然拔叔也不错，各有各的魅力。希望J.K.罗琳后两部能好好写。
关于升学教育的题材在韩剧里已经老生常谈，在韩影反而还算新颖，不过这部的重点也不在这方面，而是塑造一段不同寻常的师生情谊，整体过于温吞，多亏了设定的新鲜感和崔岷植的表演。
ggad版《再见爱人》，剧情烂得一塌糊涂，小孩子过家家都比这有逻辑，唯一好看的地方只有纽特拟态蝎子舞，也就是说，只有纽特和神奇动物作为真正主角的时候这个故事才真正有魅力。
不喜欢这个主题和故事，小蜘蛛跳求偶舞唯一亮点
？？？啥逻辑？？？你们掐来掐去故布迷阵搞了半天要靠个神奇动物来挑顺眼的掌权有啥意义？俺们十二国的麒麟不兴这么随便乱跪的好吗？
还有谁会爱你！有一种跟老朋友们见见面的感觉。迪霸哥真是又高又帅
“大家猜猜我帽子底下邪恶丑陋的东西是什么？”“我猜是你的脸🙄”。整部动画都很澳！
德普换麦叔，邓布利多＆格林德沃的基情。
太可爱了，太有爱了、鳄鱼妈妈好棒！那些小动物们好棒👍🏿最喜欢后面一家团聚都有爱的时候……团结一致！其实人和动物真的没必要那么针锋相对，互不干扰就好！但是欲望来了，人性真的好可怕
評論的事前聲明：我非哈利波特迷、這系列的前兩集還沒看。整體而言敘事清晰明確、好懂，但鋪陳較長、片長超過兩小時的電影中，角色動機卻交代的稍含糊，彷彿一切的一切都是因為⋯愛？不過CG水平很高，看了很過癮！
《奇怪国家的数学家》一部典型的老带新电影，镜头节奏还不错，剧本逻辑有点像《辩护人》，把圆周率弹成旋律很惊喜，故事平却有一点可以探讨：出题人是你老师，题出错了，告诉你了正确答案，考试时你会选择那个所谓的正确选项吗？为成绩还是为真理？这是个问题！看似讲校园实则还是政治，朝鲜自身不强大只能被韩国影视无情碾压！崔岷植，韩国演员里，你是我的神！QJ
不是什么爽的剧情，中规中矩，那个黎曼猜想真的是朝鲜人证明出来的？不可能吧
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