Unable to make progress with her ex-lesbian conversion path, a neurotic "All American" Jill tracks down her butch ex-girlfriend Jamie to prove to herself that she is no longer attracted to her. Strung along by guilt and desire, Jamie agrees to the preposterous plan of "dating" Jill so that Jill can close this chapter of her life and move forward with men. Meanwhile, David and Lola compete for the affections of José , a sexually ambiguous and seductive man from Brazil, and they compare notes on their differing opinions of his sexuality. As complications arise with Jill and Jamie's relationship, Jill starts to see José as her ticket out. However, when the love triangles shift and realign, Jamie has her own identity crisis that she is ill-equipped to handle. A mix of over-the-top comedy, sharp wit, and pathos, "Heterosexual Jill" rides the edge of laughter and pain, desire and repression, and explores the complicated attachment to one's sense of self in the face of love.
很喜剧的温情片
政治太特么不正确了,居家隔离居然拍得这么欢乐。
“向所有受过苦的人致敬”
把疫情幽默化,现在新的一波来袭,跨年宅在家看看这一部作为2022年第一部电影挺好的
但是剧情上面稍微有些硬的部分 还好不至于破坏整个架构的协调
隔离时期的生活,非常紧跟时事的电影了。
only magic can beat magic——the old father
《外之国的少女》是一部拥有独特风格的话题之作,它既非绘本也非漫画,用充满幻想的单色画风描绘出了非人与少女间柔软又忧伤的心灵交流。
最喜欢的就是这个画风,为画风而看,随便截图都很有氛围感
法国人的幽默还是会让你不经意间开怀,以及他们的浪漫,也是会意料之外又情理之中,两个小孩子比较好看。巴黎无人的街道是百年不遇的另一种美。虽然电影总体有些刻意,但最后一刻大家举起木板牌子时还是被感动了。85年的啤梨酒应该味道不错。结尾收的突兀了些。
絮絮叨叨的法式幽默,还是可以~不过法国人真的太……随性了~
生肉没太看明白。但互相是在这个孤独的世界上的光的感觉,真不错啊
后一半值四星,幸运的事是如果我们在同一天出生,在同一天死亡,那就不会有人悲伤
除了那些苦大仇深、煽情歌颂的片子,我们也需要这种轻松愉快温馨的电影,来记录Covid-19.
看过的最好一部疫情题材电影,幽默温情以及残酷的离别。
只有湖底部分的演出稍微能抓人一些,其他绝大多数时候都太空了。还有我真受不了高桥李依捏着嗓子配的幼女音,衬托下连福山润都听得顺耳了......
对法国喜剧情有独钟,不骂人的诙谐幽默,大大方方的开玩笑,不像好莱坞喜剧遮遮掩掩的想歧视又不说
故事挺简单 拖得有点久 疫情下的邻里关系
自私和共情当然是可以共存的,希望疫情赶紧过去吧。
絮絮叨叨的法式幽默,还是可以~不过法国人真的太……随性了~
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